Monday, 20 September 2010

Margaret MITCHELL
(1900–1949)


Among critics Gone With the Wind has always been controversial. Few regard it as great literature, but beginning with the Pulitzer Prize Committee many critics have admired Mitchell's gift for storytelling and the breadth of her canvas. The book has been hailed as a contribution to feminism, held up as an allegory for the development of the United States, and condemned as racist and even sadomasochistic. Racist it unquestionably is - almost inevitably so, given the time and place of its composition. Beyond that, it gives powerful support to damaging stereo-types that for long helped sustain racial segregation. It romanticizes the slave-owning class, and, except perhaps for D.W. Griffith's classic Birth of a Nation, no work has done more to misrepresent Reconstruction as a cruelty visited upon an innocent white South - whereas today historians generally agree that it was an honest, if flawed, attempt to bring real democracy to a region that had never known it. In light of the book's continuing sales the controversy over it seems destined to persist, like Gone With the Wind itself.
("Margaret Mitchell [http://www.encyclopedia.com/doc/1G2-3404704493.html]." Encyclopedia of World Biography. 2004. Encyclopedia.com. 28 July 2012 )

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